"D'Addario reeds are a great tool for pushing my sound to unexpected places. I'm constantly taking risks in my sound and music, with the assurance that these reeds consistently deliver the highest quality."
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"D'Addario reeds are a great tool for pushing my sound to unexpected places. I'm constantly taking risks in my sound and music, with the assurance that these reeds consistently deliver the highest quality."
"D'Addario reeds are a great tool for pushing my sound to unexpected places. I'm constantly taking risks in my sound and music, with the assurance that these reeds consistently deliver the highest quality."
"The Select Jazz Filed reeds are my favorites because I enjoy the balance between a dark tone and the brightness they bring to my sound. At the same time, I appreciate the good support they provide for flexibility in sound and their durability."
Camila Nebbia is a saxophone player, composer, improviser, visual artist, curator and educator debasing hierarchical systems by exploring counterpoints of migrational longing through multiple, but minimally separated, mediums. Originally from Buenos Aires, Argentina, based in Berlin, Germany, the multidisciplinary artist layers her practice through the creation and destruction of archival memory.
As a band leader and solo performer, she has released "A veces la luz de lo que existe resplandece solamente a la distancia” (Kuai 2017), “De este lado” (Club del disco 2019), Aura (ears&eyes records 2020),“Corre el río de la memoria” (ramble records 2021) and “Presencias” (Sound Holes 2021) “Una ofrenda a la ausencia” (Relative Pitch Records 2023).
Camila has played and recorded with many artists on the international scene such as Valentin Garvie, El Devenir del Río, Burka, Paula Shocron, Barbara Togander, Patrick Shiroishi, Paul Pignon, Vinnie Sperrazza, Katt Hernandez, Kenneth Jimenez, Lesley Mok, Violeta García, Axel Filip, Susana Santos Silva, Tom Rainey, Elsa Bergman, l’ Arfi collective of Lyon, Joanna Mattrey, Micheal Formaneck, Vincent Dromowski’s Flow regulator, John Hughes, among others.
She is the co-creator and curator of the collective interdisciplinary group and improvised music series “La Jaula se ha vuelto pájaro y se ha volado”, the interdisciplinary festival “Guillotina Fest'' and creator and curator of the streaming concert series called “The warmth of proximity” and “A door in the mountain”. Currently, she runs the concert series and independent label “Disfigured Rivers” based in Berlin.
Camila has participated of many festivals around the world such as Winter Jazz Fest NYC co-presented with M3 (U.S), Buenos Aires Jazz Festival (ARG), Lima Jazz Festival (PE), Diskurs Festival (DE), and Ultima Oslo (NO), among others. She has assisted in several residencies such as ART OMI (NYC), SIM (NYC) Jazz & Creative Music dictated by Tyshawn Sorey and Vijay Iyer (CA), Konvent Zero (ES) UNCOOL (CH), Ensemble Evolution (US), CirkusVranen (SE), and CCK with Tim Berne, Marilyn Crispell & Ben Goldberg (AR).
Nebbia studied classical saxophone at the Conservatory Astor Piazzolla, Jazz at the Manuel de Falla Conservatory, Film Direction at the Universidad Del Cine, and the Master’s degree program “CoPeCo Contemporary Performance and Composition at Estonian Academy of Music and Theatre in Estonia, Royal College of Music in Stockholm in Sweden, National Superior Conservatory of Music Dance of Lyon in France and Hamburg University of Music and Theatre in Germany. She Wws part of the second cohort of Mutual Mentorship for Musicians M3 created by Jen Shyu & Sara Serpa 2021, and was a curatorial fellow at the Experimental Sound Studio of Chicago 2022.
