RESERVE Bb CLARINET MOUTHPIECE
Medium-Long Facing, American Pitch MCR-X5
Inspired by the most prized, vintage mouthpieces of the 1920's, Reserve harnesses modern technology, pioneered by D’Addario, to recreate the incomparable mouthpiece craftsmanship of yesteryear. Milled—not molded—from hard rubber for a higher level of consistency, every Reserve mouthpiece is machined to the strictest tolerances.
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$125.99
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19,350 PTS
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VINTAGE INSPIRATION. 21ST CENTURY EXECUTION
Inspired by the prized mouthpieces of the past, the Reserve mouthpiece collection harnesses modern technology to recreate the incomparable craftsmanship found in these legendary works of art. Milled, not molded, from hard rubber for a higher level of consistency, every Reserve mouthpiece meets the strictest tolerances and offers two different pitch systems. But the true beauty of Reserve lies beyond its polished angles, glorious curves and proprietary materials, in something far more remarkable--its sound.
VINTAGE INSPIRATION. 21ST CENTURY EXECUTION
Inspired by the prized mouthpieces of the past, the Reserve mouthpiece collection harnesses modern technology to recreate the incomparable craftsmanship found in these legendary works of art. Milled, not molded, from hard rubber for a higher level of consistency, every Reserve mouthpiece meets the strictest tolerances and offers two different pitch systems. But the true beauty of Reserve lies beyond its polished angles, glorious curves and proprietary materials, in something far more remarkable--its sound.
RESERVE B♭ CLARINET REEDS
SCULPTED TO PERFECTION.
MILLED RUBBER
Computer Numeric Controlled milling sculpts material into a new solid shape, ensuring the highest level of consistency and eliminating variations, creating mouthpieces characterized by a full, robust sound.
SCULPTED TO PERFECTION.
MILLED RUBBER
Computer Numeric Controlled milling sculpts material into a new solid shape, ensuring the highest level of consistency and eliminating variations, creating mouthpieces characterized by a full, robust sound.
